Between 1999 and 2006, the legendary baroque music specialist Ton Koopman brought together a stunning array of singers to record the complete cantatas of J.S. Bach alongside his own Amsterdam Baroque Orchestra and Choir. Released originally mostly in 3-CD sets, this wonderful cycle is available in its entirety. The 67 separate CDs have now been gathered together in a box with a booklet that includes a complete tracklisting and information about each recording.
Spanish and Portuguese organs are celebrated for their excellent trumpets (en chamade), but their splendid flutes, prestants, cornets, and reeds are less widely known. From the second half of the 17th century, organists in Spain and Portugal delighted in recreating the sounds of the battlefield on their instruments. The batalha has a simple harmonic structure; its interest lies principally in the stirring rhythm.
If only for his melodic genius, Handel would have been forever acknowledged as one of history's greatest composers. These delightful sonatas for recorder provide abundant evidence to support that claim, and Marion Verbruggen's warm, resonant recorder and brilliant flute prove the perfect partners for bringing these rarely heard pieces to life.
Hailing from Glasgow, Pub has been making music since he was 14. He recorded his first EP at age 17, later released on his own label Ampoule. He has featured on many other labels since 1998 and played a handful of small tours across the UK, Ireland, Germany, and Spain. Pub also releases other styles of music through Ampoule, some of his guises include Moped Endo and Lucky & Easy. It's a lush, drifting, atmospheric developmental head cleaning affair. Sounding some what hollow to start with, it gains more and more depth through layers of pulsing signals, environmental happenings and some campfire guitar strum-type folk singing towards the end.
La Resurrezione, composed in Rome in 1708, was Handel’s first oratorio on a sacred theme. The soloists take the roles of an Angel, Mary Magdalene, Mary Cleophas, St John and Lucifer, who are portrayed in vivid operatic terms with the help of a lavishly-scored orchestra. The distinguished Dutch keyboard-player and conductor Ton Koopman (b.1944) founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists. Conductor and orchestra are joined here by singers acknowledged as leading specialists in the baroque repertoire.
Audio quality of this German Archiv recording is noticeably pleasant to the ear. Louder parts do not have the accompanying outbursts of digital junk noise typically present in many digital recordings; it's just pure sweet music. Archiv did this one right. Recommended for the high audio quality. Every piece is a masterpiece played with verve and energy.