The 12-Bar Blues: The Complete Guide for Guitar Value Pack includes a book, 2 audio CDs, and a DVD solely devoted to providing you with all the technical tools necessary for playing 12-bar blues with authority. The term “12-bar blues” has become synonymous with blues music and is the basis for an incredible body of jazz, rock 'n' roll, and other forms of popular music. You'll learn blues styles like Chicago, minor, slow, bebop, and more, while focusing on boogie, shuffle, swing, riff, and jazzy blues progressions. 49 full-band tracks are included on the accompanying CD, and the DVD includes a complete one-hour course!
"12 Bar Blues" is the debut solo album from Stone Temple Pilots singer Scott Weiland. Its sound and style differs greatly from his band's releases.
At age 33 for this one, Mance (piano), with Bob Cranshaw (bass) and Mickey Roker (drums), has all the jazz and blues bases covered, going back to boogie and stride, through swing and bop, with a couple of more modernistic numbers rounding out this complete overview of classic American soul-based black music. Mance evokes wonderfully patient, romantic notions on "Creole Love Call," with creamy, molasses-like melodicism stirred by Roker's expert brush work. "Yancey Special" has Mance digging in and getting down as Roker shuffles along. "In the Evening" is much more tinkling and upbeat here than Leroy Carr wrote it, whereas the hard-swinging "Jumpin' the Blues" is as much fun to hear as it must have been to play…
Midnight Stoppers celebrates the post war blues pianists and explores how their sound had its origins in the '30s and '40s, when boogie-woogie piano and the Chicago-centric small combo “Bluebird sound" held sway. Compiled by blues authority Mike Rowe, Midnight Stoppers presents 70 masterpieces by 34 pianists, including legendary names like Otis Spann, Memphis Slim, Big Maceo, Sunnyland Slim and Albert Ammons, as well as the unsung heroes of the keyboards.
Blues-Rock with a touch of funk and soul. Digging in the blues, inspiring lyrics, female backing vocals and electric guitar solos. The song BACK TO THE DIRTY TOWN today is a worldwide classic of the fans of blues and Blues Rock. On countless playlists, on YouTube, on Spotify and radio stations this song is heard by tens of thousands of people daily. The Blues Mystery live have been titled as “the blues that makes you happy”. With their unique own style, they've mainly been playing festivals and clubs in Switzerland, Germany and France. Influenced by greats like Eric Clapton, Buddy Guy, Muddy Waters or James Brown, they compose very song oriented as for example Fleetwood Mac, ZZ Top or the Rolling Stones do, they’re not stuck to the 12 bar Blues. They've released their first album THE BLUES MYSTERY in 2013, the second one called DIESEL ROCK in 2015. Since end of 2017 they’ve launched THE BLUES MYSTERY TV, giving dynamics to their YouTube channel, the first show launched was “Walter’s Blues & Rock Talk”.
Music was paramount in New Orleans, a town where they liked jazz with their blues. Regular blues musicians like Richard ‘Rabbit’ Brown got on disc when the record companies came to town. In general bluesmen and women came from out of town for their sessions, Texans like Lillian Glinn, Will Day, Oscar Woods and Blind Willie Johnson or Mississippians Bo Carter, the Mississippi Sheiks and Walter Jacobs, or out-of-towners like Little Brother Montgomery. New Orleans also saw the first recordings by fascinating Cajun musicians like Amédé Ardoin, Dewey Segura, Lawrence Walker and Cléoma Falcon, who put down their version of 12-bar blues.