Jettisoning not only the funk-metal rhythms of their earlier work but also long-time guitar hero and wacky eyewear model James B Martin, King For A Day… Fool For A Lifetime for the most part pursued a more back-to-basics garage sound that slotted in with the post-grunge environment of 1995. The album holds up well today, with Mike Patton achieving new heights of visceral howling on the likes of Cuckoo For Caca, but among the bonus tracks there's little to get excited about other than the tragic-comedy Bee Gees cover - I Started A Joke.
The Best Of King Curtis 1952-1961 - Saxophone titan King Curtis gets the stellar showcase he deserves on Dave Penny’s latest career-defining set for Fantastic Voyage, continuing the roll which has seen the label raise the benchmark for knowledgeable, expertly-annotated compilations. Over three discs and nearly 100 tracks, Wail Man Wail! traverses the unmistakable tones of the late Curtis Ousley after he arrived from Texas in New York City in 1952, winning amateur night at Harlem’s Apollo before embarking on a recording career which took him to several seminal independent labels and bands with the likes of Lester Young and Lionel Hampton. He settled in New York for 17 years, declaring himself King Curtis and quickly making a name for roaring instrumentals and enhancing countless sessions.
The phrase "very best of" in an album title usually indicates a highly selective collection of an artist's career highlights.
Over-glossed R&B tracks, heavy doses of keyboards and drum programming are an ideal way to make albums for the pop charts, but for B.B. King, they are tools of disaster. Lyrically and vocally the album holds up rather well. …
With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal. Adding drummer Jim Gordon and naming themselves the City, they hit the studio with Lou Adler producing. The outcome of the sessions was the thoroughly charming Now That Everything's Been Said LP. Released in 1968 on Ode Records, the album had one foot in the kind of radio pop bands like the Monkees and the Mamas & the Papas were cranking out and another in the earthy, homegrown realm of singer/songwriters like Joni Mitchell and, a few years later, King herself.