"The Best of 10cc Live" is a 2007 live compilation album by 10cc. The album was given away free with the British newspaper "The Mail On Sunday" in June 2007 to promote the band's 2007 June/July U.K. tour and the recent release of the studio compilation "Greatest Hits … And More".
Of note is the inclusion of the song "Welcome To Paradise", which was never released as a single and has never appeared on any "best of" or "greatest hits" compilation from the band.
Featuring a host of fan favourites this compilation presents the best of Columbia rockabilly over 40 legendary tracks. Featured artists: Carl Perkins, Jimmy Murphy, Lefty Frizzell, Ronnie Self, The Maddox Brothers, Sid King & The Five Strings, Marty Robbins, Ersel Hickey, Johnny Horton, Bobby Lord, Freddie Hart, Eddie Zack, Jaycee Hill, Billy Brown, Cliff Johnson and many more.
Austin-to-L.A. transplants the Textones were one of the few post-new wave "roots rock" bands of the mid-'80s to deserve the appellation. (Unfortunately, they're mostly remembered, if at all, only as the band Kathy Valentine left to join the Go-Go's.) Unlike the terribly overrated Lone Justice or the beer salesmen in the Long Ryders or the Del Fuegos, Carla Olson and company came off like a punkier version of the Gram Parsons-era Byrds, with a poppy edge on unexpected covers like the Searchers' "Silver" and Neil Sedaka's "Keep a Walkin'."
A 32-track retrospective that'll make fans of this band's unique pop/jazz/rock sound so very happy! Every hit single is here- You've Made Me So Very Happy; And When I Die; Spinning Wheel; Hi-De-Ho; Lucretia MacEvil; Go Down Gamblin'; Lisa, Listen to Me; So Long Dixie; Got to Get You into My Life , etc.-plus key album tracks and two unreleased cuts that trace this band's career from the early Al Kooper days on. Notes, rare photos, complete discography and personnel info rounds out this long-overdue collection.
Recollections of Britain's arch-glam gods generally inspire two theories of their producers, Mike Chapman and his partner, Nicky Chinn. Either they knew just what they were doing and calculated accordingly, or blindly hit pay dirt, following toothless early singles like "Funny Funny" (none of which grace this disc). By this reckoning, Sweet was a '70s-era pinup band or a closeted hard rock quartet who only got their due after breaking the Chapman/Chinn combination…