Features 24 bit remastering and comes with a mini-description. With Bobby Jaspar (flute) and Frank Wess (flute). This album is top-notch. Piano is by Tommy Flanagan or Hank Jones, and Kenny Burrell plays guitar on the whole album. Tracks include "Ghana", "Connie's Blues", "Sandy", "I'm Afraid The Masquerade Is Over" and "Bag's New Groove". I have a large collection of Modern Jazz Quartet and other recordings that feature Milt as leader, co-leader and sideman, but this is among my favorites. One reason I like this album so much is the way vibraphones and flutes complement one another in the arrangements. Another reason is I am a fan of the great Belgian flautist Bobby Jaspar who is on two tracks.
Features 24 bit remastering and comes with a mini-description. Brother Jack McDuff recorded an enormous number of albums during the '60s, so it can be difficult to figure out where to start digging a little deeper into his output (which Hammond B-3 fans will definitely want to do). 1967's Tobacco Road stands out from the pack for a couple of reasons. First, unlike many of his groove-centric albums, it's heavy on standards and pop/rock tunes (seven of nine cuts), which make for excellent matches with McDuff's highly melodic, piano-influenced style.
Features 24 bit remastering and comes with a mini-description. A rare 50s performance – featuring a smoking version of "The Afro Suite" – plus some more boppish numbers too! Dizzy Gillespie was recruited as a special guest to perform on March 13, 1955, in concert with the Orchestra (a Washington, D.C., big band), a date that was recorded by Bill Potts and not initially released until 1983 by Elektra Musician. Although there was only a brief rehearsal of Gillespie with the band prior to their performance of the trumpeter's "The Afro Suite" (which includes "Manteca" plus a trio of pieces written in collaboration with Chico O'Farrill), they provide excellent support for this extended work, which features the composer extensively.
The beat goes on, and Herbie Mann gets plenty darn groovy – serving up these short, soulful tunes that really pack a sweet little punch – thanks in part to some excellent work on vibes by the young Roy Ayers! Ayers' rings out next to Herbie's flute in a very cool way – almost Latin, but a bit groovier overall, with some echoes of bossa and 60s soundtrack jazz – all mixed with deeper soul currents that are very much in the best 60s jazz spirit of Atlantic Records! Jimmy Wisner handles the arrangements, and also plays some mean piano. Titles include Dave Pike's "Dream Garden", which was arranged by Pike himself – plus Herbie Mann's "West African High Life", and Herbie Hancock's "Hey Ho" – as well as the cuts "No Matter What Shape", "More Rice Than Peas, Please", "Soul Montuno", and "The Beat Goes On".
Features 24 bit remastering and comes with a mini-description. A really rare album from trumpeter Ted Curson – a unique 70s session recorded for Atlantic Records, but only ever issued overseas at the time! The date has Ted's trumpet coming into play with some of the electric touches of the 70s – not a full-on fusion record, but a really great session that updates some of his modern ideas with some of the fresher, younger elements of the underground – particularly keyboards, which are played here by Kenny Barron strongly – as he shifts effortlessly between electric and acoustic piano on the set.
Features 24 bit remastering and comes with a mini-description. Shorty Rogers is definitely way up there with this classic album for Atlantic Records – hitting heights that even go beyond his more famous sides for RCA! The groove here is sharp, but also has room for lots of individual flavors too – thanks to different groupings of west coast players who include Bud Shank on alto, Jimmy Giuffre on baritone and tenor, Lou Levy on piano, Shelly Manne on drums, Barney Kessel on guitar, and Pete Candoli, Conte Candoli, Harry Edison, and Don Fagerquist on trumpets! Shorty himself wrote nearly all the tracks on the set – at a point at which he was really hitting his stride as a composer, doing an incredible job of mixing modern ideas and swinging jazz – as you'll hear on cuts that include "Pixieland", "Solarization", "Baklava Bridge", "March Of The Martians", "Moten Swing", and "Wail Of Two Cities".
Features 24 bit remastering and comes with a mini-description. Serious compositional material by John Lewis – a series of work based upon the Italian tradition of commedia dell'arte, written for a larger group of brass instruments – and given a real "classics meets jazz" sort of vibe – but also handled with a gentle swing, too! Although Gunther Schuller's on the album in the French Horn section, Lewis himself conducts the ensemble – leading the brass section through a range of very short "fanfares" and longer tunes that feature Lewis on piano, George Duvivier on bass, and Connie Kay on drums. Titles include "Fanfare 1", "Piazza Navona", "Odds Against Tomorrow", "Piazza Di Spagna", and "La Cantatrice".
Not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form – very much back to the basics of their early time on Atlantic Records, with a sublime focus on that unique sound that no other group like this could match.
Features 24 bit remastering and comes with a mini-description. Not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form – very much back to the basics of their early time on Atlantic Records, with a sublime focus on that unique sound that no other group like this could match.
Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. Fast and funky fusion from David Matthews – building off the sound of his later Kudu recordings with a sweet electric groove! The album's got a pretty full approach overall – with Matthews on electric piano, and directing a large group of players that includes Mike Maineri, Michael Brecker, Jon Faddis, Shunzo Ohno, and Ronnie Cuber – and a number of tracks feature a vocal chorus that includes Ullanda McCullough and Yvonne Lewis. The overall style is slick, but not in a bad way – and Matthews more than meets the Japanese fusion sound head to head for this non-US release from the time!