Reissue with the latest 2017 remastering. Comes with a description written in Japanese. Earl Hines had many years of music under his belt when he cut this session in the mid 60s – yet his sense of creative improvisation was more than sharp enough to warrant the promise of the title! The set features Hines alone at the keyboard, in a wonderfully well-recorded setting – working this amazing magic on his solo performances, which really transform the tunes into something new entirely – piano explorations that almost make you feel like you're finding Earl in the back room of some small club, after hours – working out all sorts of new ideas, without having to worry about commercial considerations at all.
Features 24 bit digital remastering. Comes with a description. An unusual global session for Atlantic Records – an album that has John Lewis presenting work by three other musicians that he feels are ripe for wider discovery! The set's got some killer work from Rene Utreger – a key Parisian player in the postwar years, working here with dexterity that's almost at a Bud Powell level! Dick Katz is also featured on the set – with some nice colors and tones in the mix, similar to some of the work he'd go onto do for Atlantic and other labels. And perhaps the least known here is the British player Derek Smith – stepping out with a lyrical style that's captured surprisingly well here – and which makes the record a key addition to Smith's catalog.
Features 24 bit digital remastering. Comes with a description. An unusual little record – a set that's a bit "fake" in its pedigree, but which still comes across with some wonderfully vivid results! Fred Kaz is a Chicago pianist, but he works here on a set of original compositions based on his readings on Near Eastern cultures – dubbed by Fred as "Turkish experiments" in the liner notes – and a compelling blend of Eastern modes and modern jazz piano – maybe not as all-out as later experiments of the type on MPS/Saba, but still pretty darn great!
Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.