1000 Eyes Night

Air Pocket (The Fowler Brothers) - Fly On (1975) {2015 DSD Japan East Wind Masters Collection 1000}

Air Pocket (The Fowler Brothers) - Fly On (1975) {2015 DSD Japan East Wind Masters Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 130 Mb | 5% repair rar | DSD Mastering
© 2015 East Wind Music / Universal Japan | UCCJ-9145
Jazz / Fusion

A warm and soulful set of fusion tracks – issued only in Japan, but recorded by a hip group from the US! Air Pocket features the Fowler Brothers – Walt, Bruce, Ed, and Steve – on trumpet, trombone, bass, and alto, respectively – plus drummer Chester Thompson, guitarist Mike Miller, and pianist Stu Goldberg, who really plays some great moog, clavinet, and electric keys on the set! Tunes are well-written – a bit choppy, but never too jamming, and really just done in this nice blocky way that creates a slightly funky approach, and a good degree of soul. Titles include "Elephant's Graveyard", "Hi Lo Redic", "Colors For Marvin", "Night's Move", and "Becky".
Electric Light Orchestra Part II - One Night In Australia Live (1997)

Electric Light Orchestra Part II - One Night In Australia Live (1997)
EAC Rip | WavPack (image+.cue+log) CD1-384 MB, CD2-286 MB | MP3 CBR 320 kbps (LAME 3.93) CD1-130 MB, CD2-95 MB | Covers - 32 MB
Genre: Rock | RAR 3% Rec. | Label: CMC Records (CMC 5216222)

ELO Part II were an offshoot band formed by Electric Light Orchestra drummer Bev Bevan. The band also included former ELO bassist Kelly Groucutt, conductor Louis Clark and violinist Mik Kaminski for most of its career. After Bevan left the band in 2000 he sold back the rights of the Electric Light Orchestra name to Jeff Lynne and the band continued on as The Orchestra. This album contains a lot of ELO's greatest hits performed live.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 20 (1949-1953) {Philology W 850.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 20 (1949-1953) {Philology W 850.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 364 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1949-1953, 1999 Philology | W 850.2
Jazz / Bop / Bebop / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 19 (1945, 1949) {Philology W 849.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 19 (1945, 1949) {Philology W 849.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 295 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 1945, 1949, 1999 Philology | W 849.2
Jazz / Bop / Bebop / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Duke Pearson - Prairie Dog (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27166}

Duke Pearson - Prairie Dog (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27166}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 211 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 72 Mb | 5% repair rar | 24bit remaster
© 1966, 2012 Warner Japan / Atlantic / Rhino | WPCR-27166 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Soul Jazz / Piano

Features 24 bit digital remastering. Comes with a description. his 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band (not all members play on all tunes): drummer Mickey Roker; Harold Vick on soprano; James Spaulding on flute and alto; bassist Bob Cranshaw; trumpeter Johnny Coles; tenor George Coleman; guitarist Gene Bertoncini; and Pearson on piano and celeste.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 16 (1951-1954) {Philology W 846.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 16 (1951-1954) {Philology W 846.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 345 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 1951-54, 1999 Philology | W 846.2
Jazz / Bop / Bebop / Big Band / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 13 (1948, 1956) {Philology W 843.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 13 (1948, 1956) {Philology W 843.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 301 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1948, 1956, 1999 Philology | W 843.2
Jazz / Bop / Bebop / Big Band / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Chico Hamilton - The Chico Hamilton Quintet With Strings Attached (1958) {2013 Japan Jazz Best Collection 1000 Series 24bit}

Chico Hamilton - The Chico Hamilton Quintet With Strings Attached (1958) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 237 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 194 Mb | 5% repair rar | 24-bit remaster
© 1958, 2013 Warner Bros. / Warner Japan / WEA / Rhino | WPCR-27275 | Jazz Best Collection 1000 Series
Jazz / Cool / West Coast Jazz / Hard Bop / Drums / Saxophone / Clarinet

Features 24 bit remastering and comes with a mini-description. Other than two selections put out on a sampler and the soundtrack from the 1958 Newport Jazz Festival, this LP is quite significant for having the first recordings of Eric Dolphy with the Chico Hamilton Quintet. Dolphy's solos (on alto, flute and bass clarinet) are brief, but he already sounded fairly distinctive. The third version of Hamilton's popular Quintet also included the drummer/leader, cellist Nate Gershman, guitarist Dennis Budimir and bassist Wyatt Ruther. On this album, half of the tunes are played by the basic quintet, while the remaining five songs have an added string section. The West Coast jazz chamber music generally holds one's interest, but has been out of print for some time.
The J. J. Johnson Quintet - J Is For Jazz (1956) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 79}

The J. J. Johnson Quintet - J Is For Jazz (1956) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 79}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 198 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar
© 1956, 2015 Columbia / Sony Music Japan | SICJ 79
Jazz / Bop / Hard Bop / Trombone

Reissue with the latest 2015 remastering. Comes with liner notes. Nicely sharp sounds from the great JJ Johnson – a set that has the trombonist really honing his edge on a host of tight, short tracks – with a vibe that almost recalls his initial bop recordings on Blue Note and Prestige! The style here is a bit more sophisticated – definitely with an ear towards the modern directions that JJ was exploring in the 50s – but the sound is also nicely spontaneous, with more focus on improvisation between group members than larger arrangements – quite nice, given that the group features excellent tenor from Bobby Jaspar on tenor – and either Tommy Flanagan or Hank Jones on piano, Percy Heath or Wilbur Little on bass, and Elvin Jones on drums. Tracks are short, and titles include "Overdrive", "Cube Steak", "Chasin The Bird", and "Solar".
Makoto Ozone - Spring Is Here (1986) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4235}

Makoto Ozone - Spring Is Here (1986) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4235}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 304 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar
© 1986, 2014 Columbia / Sony Music Japan | SICP 4235
Jazz / Post Bop / Modern Postbebop / Piano Trio

Reissue with the latest DSD remastering. Comes with liner notes. 1. I believe this was Makoto's 3rd album (something like that) and when it came out, I was expecting some more inventive Makoto magic–> but I was surprised to learn / hear that this was standard jazz material and I totally loved it. 2. This was produced before trio jazz stuff came back into fashion (ie prior to Chick's Acoustic Band and around the time of Keith Jarrett's trio… I think Keith had his first live trio album around this time). Anyway, the trio work is great, the song selection is classic, this is a no brainer for anyone who appreciates good / classic standard jazz.