This LP would be recommended if only for trumpeter Woody Shaw's autobiographical liner notes which definitively sum up both this recording and his career up to 1972. Four of Shaw's originals are interpreted by a sextet also including Emanuel Boyd on flute and tenor, keyboardist George Cables, bassist Henry Franklin, drummer Woodrow Theus II, tenorman Ramon Morris (on two songs) and Bennie Maupin on tenor for "The Goat And The Archer." The music falls between hard bop, modal musings and the avant-garde. Although possessing a tone similar to Freddie Hubbard's, Woody Shaw was a more advanced player and his solos throughout the date are both original and consistently exciting.
Housed in slick digipaks containing 5 discs packed full of your favourite hits. 100 Hits: Boogie Nights offers the Ultimate Collection of Classic Disco. The biggest hits from McFadden & Whitehead, The Jacksons, Aretha Franklin, Sly & The Family Stone, Earth, Wind & Fire, Boney M, The O'Jays and many more..
This 6CD set contains 100 tracks of popular organ music from the catalogues of EMI Classics and Virgin Classics performed by some of the world’s finest organists on a wide variety of instruments from all over the UK and Continental Europe.
This CD, which adds "Drum Conversation" (a Frank Butler feature) to the earlier LP, contains material taken from bassist Curtis Counce's Contemporary sessions which resulted in three other albums but these particular performances were not released until 1989. Half of the program features Counce's 1956 quintet (which includes trumpeter Jack Sheldon, tenor saxophonist Harold Land, pianist Carl Perkins and drummer Frank Butler) while the remainding selections are from 1958 when the group had Gerald Wilson on trumpet and pianist Elmo Hope (who contributed three originals). "Sonor" and "Landslide" are heard in alternate versions and "Woody'n You" has also been since reissued as a "bonus" cut on the CD You Get More Bounce with Curtis Counce. The playing is quite rewarding, and all four of the Counce reissues are easily recommended to hard bop collectors.
Listen to Bezuyaehu Demissie. Great Album from great artist.
I’ve long overlooked Pepper’s later work, there is so much good stuff in his prime, but when I stumbled on this lovely three box set recorded in 1977, and with one of my recent favourite bassists, George Mraz, and Mr Elvin Jones on drums, a second opinion was long overdue. Recorded over three nights before a relaxed appreciative audience (no jackass stomping hooting or whistling, – apologies to those who welcome the more demonstrative audience ) this live set automatically has you turning the lights down low and joining the audience, a decanter positioned strategically within arms reach.
Tenor saxophonist Teddy Edwards' debut for Contemporary (which has been reissued on CD in the OJC series) gives listeners a strong sampling of the underrated tenor's talents. Edwards, a contemporary of Dexter Gordon and Wardell Gray but sometimes overlooked due to his decision to spend most of his life living in Los Angeles, is showcased on a quartet set with the obscure but talented pianist Joe Castro, bassist Leroy Vinnegar, and drummer Billy Higgins. Performing three standards, three originals (of which "Higgins' Hideaway" is most memorable), and Hampton Hawes' "The Sermon," Edwards has a chance to stretch out and he makes the most of the opportunity, creating some excellent straight-ahead music.