Open Your Eyes is the seventeenth studio album by the English rock band Yes, released in November 1997 by Eagle Records in the UK and by Beyond Music in the US. Following the departure of keyboardist Rick Wakeman and the addition of guitarist, keyboardist, and producer Billy Sherwood in 1997, Sherwood and bassist Chris Squire started to develop songs for an album by their own band, Conspiracy. They caught the attention of their new management who suggested to use some of their material for a new Yes studio album…
Japan’s extraordinary culture is like no other in the world. The 2,000-year-old civilization grew through periods of seclusion and assimilation to cultivate a society responsible for immeasurable influences on the rest of the world. What makes Japan so distinctive? The answer is more than just spiritual beliefs or culinary tastes. It’s the ongoing clash between tradition and modernity; a conflict shaped by Japan’s long history of engagement and isolation.
This is a rare limited edition CD album from Russia. The booklet & inserts are similar to the UK/ EU first edition CDs released in 1984. However, this Russian unofficial release includes two bonus tracks from the Hansa Days; 'Stateline', which was the B Side of 'Dont Rain On My Parade' 1978 and 'Life In Tokyo' which was first released in 1979…
After the success of "Bloody Tourists", and the artsy excess of "Look Hear?", Eric Stewart and Graham Gouldman gave the rest of the band their walking papers, and recorded this album as a duo. Sounding fresh and energized, this was by far 10cc's best album since 1977's "Deceptive Bends".
Blues Alive is a live album by Irish guitarist Gary Moore, released in 1993. It is a collection of recordings taken from his 1992 tour and draws most of its material from Moore's then-recent Still Got The Blues and After Hours albums. The Japanese Limited Edition includes a bonus CD single.
Reissue with the latest remastering. Comes with liner notes. A brilliant large ensemble work from Ornette Coleman – ambitious material recorded with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London Symphony Orchestra, conducted by David Measham – all tied up and dark, with swirling sounds that run up beautifully from the bottom, then take off to the skies promised in the title – opening the door for Ornette to come in and solo freely over the top – in a magical mix that easily makes the record a standout in his long and mighty career!
In the mid-'50s, guitarist Tal Farlow led one of his finest groups, a drumless trio with pianist Eddie Costa and bassist Vinnie Burke. The same band would record the album Tal a week or two later. With Burke contributing a constant walking bass, the interplay between Farlow and Costa is always exciting, whether they are playing unisons or trading off. This 1999 CD reissue not only has the original seven selections but "Gone With the Wind" (which was left off of the original LP due to lack of space) plus three full-length alternate takes that are basically on the same level as the masters. Among the highpoints are "Taking a Chance on Love," "Yardbird Suite," "Like Someone in Love," and Farlow's lone original, "Meteor," which utilizes the chord changes of "Confirmation." Hot bebop that is easily recommended.