1 Press

Press Release Marketing A-Z: Press Release Profits  eBooks & eLearning

Posted by naag at March 11, 2017
Press Release Marketing A-Z: Press Release Profits

Press Release Marketing A-Z: Press Release Profits
MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 1.5 Hours | Lec: 19 | 267 MB
Genre: eLearning | Language: English

Learn how to successfully promote affiliate offers using press releases.

Condense v1.6.1 Mac OS X Retail  Software

Posted by ksenya.b at Dec. 23, 2014
Condense v1.6.1 Mac OS X Retail

Condense v1.6.1 Mac OS X Retail | 202 MB

Typing out has come to an end. Say ‚Hello‘ to Condense. Your easy to use optical character recognition (OCR) application.

Condense 1.5 Retail  Software

Posted by speedzodiac_ at Sept. 4, 2014
Condense 1.5 Retail

Condense 1.5 Retail | MacOSX | 100 MB

Typing out has come to a end. Say ‚Hello‘ to Condense. Your easy to use optical character recognition (OCR) application.

Condense 1.3 Retail  Software

Posted by Dizel_ at Dec. 17, 2013
Condense 1.3 Retail

Condense 1.3 Retail | MacOSX | 196 MB

Typing out has come to a end. Say ‚Hello‘ to Condense. Your easy to use optical character recognition (OCR) application.

Condense 1.1 Retail  Software

Posted by Dizel_ at Dec. 3, 2013
Condense 1.1 Retail

Condense 1.1 Retail | MacOSX | 9 MB

Typing out has come to a end. Say ‚Hello‘ to Condense. Your easy to use optical character recognition (OCR) application.

AudioMicro-500+ Pro Sound Effects 1.0 iPhone iPod Touch  Software

Posted by krtko.prdko at April 12, 2009
AudioMicro-500+ Pro Sound Effects 1.0 iPhone iPod Touch

AudioMicro-500+ Pro Sound Effects 1.0 1.0 for iPhone iPod Touch | 9.1 MB

AudioMicro contains a comprehensive package of over 500 pro sound effects, available in an easy to use, customizable app.

Perspective Pilot ver. 1.01  Software

Posted by useros at April 21, 2006
Perspective Pilot ver. 1.01

Perspective Pilot ver. 1.01

Perspective distortions often appear in the architectural building photography and urban landscape photography. Such distortions arise from taking an urban landscape using a wide-angle lens and also may be caused by inappropriate aspect angle.

Nazareth - Expect No Mercy (1977) {US Press}  Music

Posted by popsakov at April 23, 2018
Nazareth - Expect No Mercy (1977) {US Press}

Nazareth - Expect No Mercy (1977) {US Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 264 Mb | MP3 CBR320 ~ 105 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Classic Rock, Hard Rock | A&M Records #CD 3343 / DIDX-005711

On this 1977 album, Nazareth makes a full-blooded return to the hard rock sound they had neglected since their success with Hair of the Dog. The result is a potent, driving slab of hard rock that will please Nazareth fans and devotees of 1970s hard rock alike. The album sets its frenzied tone right off the bat with its title track, a blistering rocker that features Dan McCafferty spitting out a sharp-edged vocal about life's cruelty over a series of fast and relentless guitar riffs. The remainder of the album prominently features a similarly brutal string of rockers: standouts include "Revenge Is Sweet," a paean to getting even that combines chugging guitar riffs with a stomping beat, and "Gimme What's Mine," a fierce declaration of dominance that layers Southern rock-styled riffs over a churning bassline.

Silver Surfer - Volume 6 (Play Press)  Comics

Posted by Mendose at April 23, 2018
Silver Surfer - Volume 6 (Play Press)

Silver Surfer - Volume 6 (Play Press)
Italian | CBR | 68 pages | 78.2 MB
Miles Davis - Dark Magus (1974) {2CD Set CBS Sony Japan, Early Press, 50DP 719~20 rel 1987}

Miles Davis - Dark Magus (1974) {2CD Set CBS Sony Japan, Early Press, 50DP 719~20 rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 636 Mb | MP3 @320 -> 240 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1974, 1987 CBS / Sony Inc. Japan | 50DP 719~20
Jazz / Fusion / Jazz Funk / Jazz Rock / Trumpet

In January 1973, David Liebman, the saxophonist who played on the first sessions of On The Corner let himself be persuaded to play with the group. It really wasn’t his kind of music, but he thought that “it was where things were happening,” and as was his habit, he joined the fray. And it was prodigious, even if Miles had reduced his band in an attempt to radicalize the Afro-funk directions of On The Corner. No more keyboards, except for a few touches by Miles himself and no more Indian instruments.