Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.
Features 24 bit remastering and comes with a mini-description. A beautiful set from Sonny Fortune – a bit smoother than some of his earlier work, but still with a deeply soulful finish that keeps the album fresh throughout! Nearly every track was written (or co-written) by Larry Willis, who plays piano and Fender Rhodes on the set, and really feels like Sonny's co-leader on the session – and who gives the album a hiply swinging feel that's similar to his own work at the time. Titles include "Samba Touch", "Perihelion", "This Side Of Infinity", "Turning It Over", and "The Blues Are Green".
A beautiful album of spiritual soul and Brazilian influenced jazz from Azar Lawrence – and a pretty rare one we're thrilled to have! Lawrence is a stellar sax player with a sound that's a bit like Gary Bartz, which means that he fits in perfectly with the Fantasy-era Prestige Records sound – but the sounds on this set are uncommonly rich and globally influenced. The set's predominantly acoustic, with lots of modal grooves in kind of a Strata East vein – and angular post-Coltrane playing that's very similar to Bartz's work on the Libra album from his early days. Players include Raul De Souza on trombone, Ron Carter on bass, Billy Hart on drums, Dom Salvador, who is really allowed to shine on piano on a few tracks, and drummer & percussionist Guilherme Franco, who brings a world of wonderful percussion on a couple of numbers.
One of China's biggest pop stars of the late 20th century, Sandy Lam rose to fame in the 1980s as a Cantopop singer before expanding her fan base significantly in the 1990s with stylistically diverse albums in Mandarin, Japanese, and English.