SCARED TO GET HAPPY (A Story Of Indie Pop 1980-1989) was the first box set ever to document the explosion of Indie Pop in Britain across the 1980s. This release is a 5 CD Cherry Red's box set, charting Indie Pop’s development from the post punk era and the dominance of Scottish bands through to its genre-defining C86 period and onto the end of the decade, with the arrival of Madchester and the shoegazing sound.
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
Arguably the greatest jazz soloist of all time, Art Tatum could play the piano with blinding speed, had technique that amazed classical pianists, and in the 1930s was harmonically three decades ahead of his time. While he considered his main influence to be Fats Waller, Tatum took his music to another planet altogether and was once introduced by Waller who simply said, God is in the house.