It might be more concise to list what musical genres Marc Ribot hasn't explored than the ones he has, but his approach to the guitar has often reflected the freedom, reinvention, and elastic boundaries of jazz, no matter what the specific context. On this date, recorded in mid-2012 during a handful of shows at one of New York's most iconic venues, Ribot gives himself the luxury of stretching out with a pair of gifted accompanists, bassist Henry Grimes (who worked with Albert Ayler, one of Ribot's key influences) and drummer Chad Taylor (a veteran of the Chicago Underground Duo and Trio), and the result is one of Ribot's most explicitly jazz-focused dates in some time.
Computer World (German: Computerwelt) is the eighth studio album by German electronic music band Kraftwerk, released on 1981. The album peaked at number fifteen on the UK Albums Chart. Rolling Stone named it the tenth greatest EDM album of all time in 2012.
Here Nashville's cast nails a collection of holiday classics for a real-world LP. The album moves with the sonic diversity of contemporary country radio, from string-filled ballads to—in the case of "Christmas Coming Home"—a Bo Diddley-esque syncopated stomp. Sam Palladio's gently sung take on Joni Mitchell's "River" is quietly moving, and Aubrey Peeples' saucy "Merry Christmas Baby" breaks the boundaries of country altogether, exaggerating the horn riffs and guitar flourishes of old-school rock ‘n’ roll.