Robert Palmer was an English singer-songwriter, musician, and record producer. He was known for his distinctive, soulful voice, eclectic mix of musical styles on his albums, combining soul, jazz, rock, pop, reggae, blues, and sartorial acumen. He found success both in his solo career and with the Power Station, and had Top 10 songs in both the UK and the US. Palmer received a number of awards throughout his career, including two Grammy Awards for Best Male Rock Vocal Performance, an MTV Video Music Award, and two Brit Award nominations for Best British Male.
Hits Of The Beach Boys is the compilation album released in 2002 by EMI Records. The collection featuring 10 big hits 1963-1966 by the US legends The Beach Boys.
Four volumes from Rather Interesting label.
Real Intelligence IV (2002). On this compilation you will find the 1999-2001 highlights, which surprised and inspired listeners during the last couple of years: Dos Tracks, Erik Satin, Los Samplers, XXX, Bund Deutscher Programmierer, Midisport, The Disk Orchestra and the Roger Tubesound Orchestra. As if this was not enough, rather interesting decided to include 4 previously unreleased bonus titles which make this compilation a 'must have' for all those who like the sound and of 'R.I.'. The bonus titles 'space bossa', 'mambo si, trabajo no!', 'affirmative' and 'hypnotize' perfectly complete this selection of 'r.i.' classics, ranging from Latino influenced compositions via abstract funkiness to electro…
This collection on the U.K.'s Soul Brother imprint is a very compelling look at a big slice of Freddie Hubbard's long career as a leader, and one that gets ignored for the most part. Hubbard recorded over 20 records between Backlash, his Atlantic debut in 1966, and Ride Like the Wind for Elektra in 1982, with lengthy stops at Columbia and CTI (as well some straight hard bop and post-bop outings for labels Fantasy and Pablo). In many cases, some of these original recordings were not only disregarded by more traditional jazzheads, they were regarded with outright hostility. It didn't matter to Hubbard, however, because at the time, these were among his best-selling albums and connected with the public deeply.
Don't pay attention to the title, which is absolutely nonsensical and bewildering – it suggests that This Is Me…Then is a compilation, which it isn't, and it also suggests that this has some sort of theme, which it doesn't – and concentrate on the music, which is the strongest, sultriest, best music Jennifer Lopez (who has abandoned the moniker J-Lo) has recorded for any of her three albums. This, of course, doesn't mean that it's a radical musical departure, though there are differences here – the glitzy dance-pop has been phased out, there's a stronger urban soul vibe, particularly on the lush surfaces and sexy grooves.
One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure.
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves!