Another of John Barry's smouldering, moody thriller scores (Body Heat etc.), the kind of thing he does with a good deal of charm and edgy romanticism. Naturally for his legion of admirers this will be a most welcome treat, although to be entirely frank it is not one of his most distinctive soundtracks. While it hits all of the expected marks with the required poise and professionalism it also lacks freshness and at times sounds a little too much like recycled material (which with this composer admittedly always remains polished and likeable). Given these general musings and vague criticisms we are still left with a valuable addition to the wealth of John Barry work now available, something that is to be appreciated and I am certainly not complaining. (MWI)
Violinists Stéphane Grappelli and Stuff Smith performed together on a few occasions, but this 1965 studio session, first issued by Barclay, was one of the more difficult dates to acquire until Universal Music reissued it on CD in 2002, as a part of their extensive Jazz in Paris series. With a solid rhythm section (pianist René Urtreger, bassist Michel Gaudry, and drummer Michel Delaporte) that pretty much sticks to a supporting role, it is clear that Smith's gritty tone rubs off on Grappelli as the session progresses.
Canned Heat rose to fame because their knowledge and love of blues music was both wide and deep. Emerging in 1966, Canned Heat was founded by blues historians and record collectors Alan “Blind Owl” Wilson and Bob “The Bear” Hite. Hite took the name “Canned Heat” from a 1928 recording by Tommy Johnson. They were joined by Henry “The Sunflower” Vestine, another ardent record collector who was a former member of Frank Zappa’s Mothers of Invention. Rounding out the band in 1967 were Larry “The Mole” Taylor on bass, an experienced session musician who had played with Jerry Lee Lewis and The Monkees and Adolfo “Fito” de la Parra on drums who had played in two of the biggest Latin American bands, Los Sinners and Los Hooligans.