After a string of mediocre albums throughout most of the 1970s, Muddy Waters hooked up with Johnny Winter for 1977's Hard Again, a startling comeback and a gritty demonstration of the master's powers. Fronting a band that includes such luminaries as James Cotton and "Pine Top" Perkins, Waters is not only at the top of his game, but is having the time of his life while he's at it. The bits of studio chatter that close "Mannish Boy" and open "Bus Driver" show him to be relaxed and obviously excited about the proceedings. Part of this has to be because the record sounds so good. Winter has gone for an extremely bare production style, clearly aiming to capture Waters in conversation with a band in what sounds like a single studio room. This means that sometimes the songs threaten to explode in chaos as two or three musicians begin soloing simultaneously. Such messiness is actually perfect in keeping with the raw nature of this music; you simply couldn't have it any other way.
RUSSIAN ROULETTE is the seventh studio album by German heavy metal band Accept, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist until the 1993 reunion album Objection Overruled. The album returns Accept to the darker, heavier sound of releases prior to the more commercial-sounding predecessor Metal Heart.
I was definitely not prepared for the utter charm and simplicity of these wonderful songs, grouped together on disc for the first time. Lortzing's melodies are easy on the ear and the Neue Detmolder Liedertafel are a crack group of singers, injecting their own characteristic charm into the music. (…) You can't really put a plug on this one, listening over and over again always increases the enjoyment. Just go ahead and buy it!
DeWayne Julius Rogers is an American singer, songwriter, record producer and multi-instrumentalist. He is best known for the tender acoustic piano-based ballad "Say You Love Me," a charting single from his 1975 RCA album It's Good to Be Alive. Natalie Cole's cover of the song was the first single from her album "Snowfall in the Sahara".
Legendary Australian guitarist Brett Garsed serves up a big helping of solo delights on "Big Sky," his latest musical offering. On a large canvas fitting for a grand Monet, Garsed once again paints a musical landscape using large and brilliant brushstrokes highlighted by subtle colors and fine detail. Fittingly titled "Big Sky," the new album satisfies as it delivers extraordinary playing from the trio of Garsed, Ric Fierabracci (bass) and Toss Panos (drums). The trio's versatility is aptly demonstrated across the CD's ten tracks of melody-infused instrumental rock music. Rich textures are combined with bursts of sound and other-worldly playing, lending credence to the album's title.
After the success of Gladiator, it wasn't unusual to see director Ridley Scott turn to Hans Zimmer again for the score to Black Hawk Down, his fierce adaptation of Mark Bowden's account of the tragic 1993 American military intervention in Somalia. What was more surprising was the schedule Scott imposed on the German-born composer: 15 days to write, arrange, and record the film's nearly two hours of music. The results of Zimmer's miraculous two-week musical campaign not only belie those constraints; they instantly take their place alongside The Thin Red Line as some of the most compelling music he's produced. The gambit here is simple–portray the combatants as two warring tribes, with their native musics locked in a tense dance for domination.
There and Back Again captures obscure Chicago hard rockers Winterhawk performing what sounds like a very well-attended show at the cavernous Aragon Ballroom, on December 22, 1978 – a rather amazing feat for a band that never managed to land a recording contract during their lifetime, but which, at least on this occasion, would probably sound as impressive to an unsuspecting visitor from another planet, as most any of the late-70s' true superstars…
This new revised edition of 'Tell it Again!' shows how a story-based methodology brings together the best of primary English language teaching and the rich and motivating resource of children's literature. Tell it Again! provides a comprehensive methodology section and story notes on 12 stories from around the world. For each story there are a series of lesson plans with photocopiable activity sheets. The stories include ten of the most popular Puffin storybooks as well as two stories that can be copied.