{2014 Japan Jazz Collection 1000 Columbia Rca Series}

Phil Woods - Warm Woods (1957) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4213}

Phil Woods - Warm Woods (1957) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4213}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 312 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 189 Mb | 5% repair rar
© 1957, 2014 Epic / Sony Music Japan | SICP 4213 | DSD Remaster
Jazz / Bop / Hard Bop / Saxophone

This long-out-of-print CD has finally been reissued and it's a must-have for Phil Woods fans, or for anyone interested in an excellent example of post-Parker be-bop saxophone. The sound quality is excellent, the rhythm section is very competent and Phil is at the top of his game on a nice mix of standards and originals. It's easy to see why he has been the benchmark for jazz alto for decades. His swing and inventiveness are nicely showcased as he eases his way through the list of tunes. If one were to buy one or two CD's that best show Phil Woods' ability to create meaningful jazz, this one would have to be high on the list for consideration. Don't miss it!
Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 293 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 188 Mb | 5% repair rar
© 2014 RCA / Sony Music Japan | SICP 3966
Jazz / Hard Bop

Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Yoshiaki Masuo And His Group - Winds Of Barcelona (1969) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4291}

Yoshiaki Masuo And His Group - Winds Of Barcelona (1969) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4291}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 243 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (png) -> 30 Mb | 5% repair rar
© 1969, 2014 Columbia / Sony Music Japan | SICP 4291
Jazz / Post Bop / Guitar

Reissue with the latest DSD remastering. Comes with liner notes. Guitarist Yoshiaki Masuo was only 22 years old when he recorded Winds of Barcelona, his first leader album, in 1969. He had been discovered by the Japanese jazz giant Sadao Watanabe, and had been a member of Watanabe's group for over a year. Masuo, and the fresh, new kind of jazz – sometimes referred to as "pop jazz" – was immensely popular at the time.
Louis Van Dyke - The Louis Van Dyke Trio/Quartet (1964) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4288}

Louis Van Dyke - The Louis Van Dyke Trio/Quartet (1964) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4288}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (png) -> 245 Mb | 5% repair rar
© 1964, 2014 Columbia / Sony Music Japan | SICP 4288
Jazz / Hard Bop / Bop / Piano

Reissue with the latest 2014 DSD remastering. Comes with liner notes. Louis van Dyke, in fact his surname was van Dijk, but that didn't look English enough I guess. In 1961 he had won the Loosdrecht Jazz concours with his trio and made his first album, titled Trio / Quartet in June 1964. In the quartet recordings Carl Schulze, the vibraphone player, was added. He won with this LP an Edison Award, one of the most important awards in the Dutch amusement world.
Louis Van Dyke - Louis Van Dyke Plays Lennon-McCartney (1970) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4287}

Louis Van Dyke - Louis Van Dyke Plays Lennon-McCartney (1970) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4287}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 225 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 293 Mb | 5% repair rar
© 1970, 2014 Columbia / Sony Music Japan | SICP 4287
Jazz / Jazz Arrangement / Instrumental / Organ

Reissue with the latest 2014 DSD remastering. Comes with liner notes. I first became aware of Louis Van Dyke on the "Fond Memories of Frank Rosolino" CD and it became apparent that here was a creative mind with impeccable jazz abilities who was able to play into the sound of whatever environment he chose. This recording could be by a very different musician than heard on the Rosolino album as Van Dyke is able to switch hats and maintain the integrity of whichever he is wearing at the time. What we have here is unusual to say the least: 9 songs by the Beatles performed in 1970 on the Flentrop Organ in the Netherlands Reformed Chuch at Loenen a.d. Vecht.
Louis Van Dyke - Pavane (1969) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4225}

Louis Van Dyke - Pavane (1969) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4225}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 299 Mb | 5% repair rar
© 1969, 2014 Columbia / CBS / Sony Music Japan | SICP 4225
Jazz / Post Bop / Piano Trio

Reissue with the latest 2014 DSD remastering. Comes with liner notes. Louis van Dijk, also spelled Louis van Dyke (born 27 November 1941 in Amsterdam, North Holland), is a Dutch pianist. He was educated as a classical piano-player and like so many other jazz musicans he became fascinated by the instrument in church. His father was sexton in the Prinsessekerk in Amsterdam. He studied at the Amsterdam Conservatory and became interested in jazz. For young jazz musicians the Loosdrecht festival was a usefull leg to success.
Louis Van Dyke - When A Man Loves A Woman (1968) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4069}

Louis Van Dyke - When A Man Loves A Woman (1968) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4069}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 292 Mb | 5% repair rar
© 1968, 2014 Columbia / Sony Music Japan | SICP 4069
Jazz / Post Bop / Piano Trio

Reissue with the latest 2014 DSD remastering. Comes with liner notes. This album is Louis van Dyke's third. The programme contains four songs which were chosen from among the more memorable chartbusters of recent vintage. Louis van Dijk, also spelled Louis van Dyke (born 27 November 1941 in Amsterdam, North Holland), is a Dutch pianist. He was educated as a classical piano-player and like so many other jazz musicans he became fascinated by the instrument in church. His father was sexton in the Prinsessekerk in Amsterdam. He studied at the Amsterdam Conservatory and became interested in jazz. For young jazz musicians the Loosdrecht festival was a usefull leg to success.
Louis Van Dijk Trio - Nightwings (1980) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4068}

Louis Van Dijk Trio - Nightwings (1980) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4068}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 261 Mb | MP3 @320 -> 112 Mb
Full Artwork @ 600 dpi (png) -> 275 Mb | 5% repair rar
© 1980, 2014 Columbia / Sony Music Japan | SICP 4068
Jazz / Post Bop / Piano Trio

Reissue with the latest 2014 DSD remastering. Comes with liner notes. Louis van Dijk, also spelled Louis van Dyke (born 27 November 1941 in Amsterdam, North Holland), is a Dutch pianist. He was educated as a classical piano-player and like so many other jazz musicans he became fascinated by the instrument in church. His father was sexton in the Prinsessekerk in Amsterdam. He studied at the Amsterdam Conservatory and became interested in jazz. For young jazz musicians the Loosdrecht festival was a usefull leg to success.
Makoto Ozone - Spring Is Here (1986) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4235}

Makoto Ozone - Spring Is Here (1986) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4235}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 304 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar
© 1986, 2014 Columbia / Sony Music Japan | SICP 4235
Jazz / Post Bop / Modern Postbebop / Piano Trio

Reissue with the latest DSD remastering. Comes with liner notes. 1. I believe this was Makoto's 3rd album (something like that) and when it came out, I was expecting some more inventive Makoto magic–> but I was surprised to learn / hear that this was standard jazz material and I totally loved it. 2. This was produced before trio jazz stuff came back into fashion (ie prior to Chick's Acoustic Band and around the time of Keith Jarrett's trio… I think Keith had his first live trio album around this time). Anyway, the trio work is great, the song selection is classic, this is a no brainer for anyone who appreciates good / classic standard jazz.
Sadao Watanabe - Sadao Watanabe (1972) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4066}

Sadao Watanabe - Sadao Watanabe (1972) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4066}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 334 Mb | MP3 @320 -> 113 Mb
Full Artwork @ 600 dpi (png) -> 270 Mb | 5% repair rar
© 1972, 2014 Columbia / Sony Music Japan | SICP 4066
Jazz / Fusion / World / Jazz Funk

Reissue with the latest DSD remastering. Comes with liner notes. After completing explore the entire Brazilian music in the sixties and to become the representative of the genus in Japan, Sadao has put aside Bossa Nova to enter in a new era with this iconic album which opens his African period. From return of East Africa when he visited Kenya, Sadao recruited new musicians featuring trombonist Hiroshi Fukumura and operates now the African musical culture mixing the rhythms to the free forms of experimental jazz. Each track can be seen as the theatrical representation of the African Culture. All tracks mixed by Kunihiko Sugano at Iino Hall.